In Dynamic Drawing one of the core ideas is the best way to learn to draw quickly with a fluid line and get greater control, is to spend time just practicing that! Pretty simple really. To facilitate that we have Live Dynamic Gesture Drawing, using moving rather than still subjects. The model repeats
If the marks we make are just random, we would not have art. Just a mess. Modeled drawings can be Gestures, made of Continuous Lines. It creates a very distinctive stylistic difference, if your drawings do or don’t use Contours. But Identifying each and learning them separately lets us be conscious of their individual traits; intentional about how we combine them; or if we choose to do so at all.
Posted here are two pages here from The Natural Way To Draw by Kimon Nicolaides. I recommend it, it’s a complete study guide including exercises & assignments! I own a copy today as does the school, I suggest taking a look at it. Nicolaides laid the ground work for a lot of ideas people
A lot of what makes our work is Design: Designing the picture plane = composition. Designing the form = how we use structure, surface, texture &, lighting! STRUCTURE. Remember this handout from the start of our classes? It shows the range of techniques for drawing the human body, from abstract gesture, to contour
The combination of musical rhythm and a moving subject that tends to move in predictable and interesting ways makes doing live studies of musicians an entertaining way to learn about body language and rhythm. Adam Cantor modeled for us, and returned with guests Russell Simco on the fiddle, and band mate Jonathan Furze on guitar.